Zeiss Otus T* 1.4/ 28mm ZE Canon EF

  • D4300996
  • CHF4,214.00 *

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      Experience the quality and look of a medium format system with the Otus® 1.4/28 from... more
    Product information "Zeiss Otus T* 1.4/ 28mm ZE Canon EF"

     

    Experience the quality and look of a medium format system with the Otus® 1.4/28 from ZEISS. Whether landscape, architecture or interiors, day or night - this lens impresses in every shooting situation with high resolution and outstanding sharpness. It is, in short, the best wide-angle lens in the world.

    The optical correction of the Otus 1.4/28 prevents almost all conceivable image errors - and will still fascinate you even after years and on high-resolution camera systems.

    Highest image contrast

    Aberrations become particularly apparent in night shots with large differences in brightness. Thanks to the excellently corrected lateral chromatic aberration, the luminous facade is reproduced absolutely perfectly.

    Medium format look

    Thanks to its outstanding sharpness, the ZEISS Otus makes optimum use of modern high-resolution sensors and rewards you with impressive resolution in your images. Down to the smallest detail.

    Aspherical design

    The aspherical lens design ensures consistent imaging performance across the entire focus range as well as display sharpness at the image periphery. The more complex surface profile of the aspheric can reduce or even prevent spherical aberration and reduce other optical aberrations, compared to a simple lens.

    Apochromat

    As an apochromat, the chromatic aberrations (longitudinal chromatic aberrations) in the lens are corrected by lenses made of special glasses with anomalous partial dispersion. The chromatic aberrations are therefore well below defined limits. Light-dark transitions in the image and especially highlights are reproduced largely free of colored artifacts.

    Virtually distortion-free optics

    Dramatic perspectives and the view from unusual angles - ZEISS lenses open up new creative possibilities. Distortion would interfere with the composition, as straight lines whose image does not pass through the center of the image would be rendered curved. This disturbing effect is largely compensated for by sophisticated optical designs for all focal lengths.

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